Upper Hand begins this autumn by pulling down the curtains. Inside, there are six luminous 16:9 squares and their combined ambient lights, forming a changing gradient mood-lighting throughout the gallery room. It’s a show of different forms of animation. Bodies and shapes made of light, clay, crayon and polygons in dream sequences on loop. A suggestive haze, a colorful fog and among the images and sound: flora, fauna and synthesizers, lofty self-help and revenge, sweet revenge.

(I was part of this exhibition, together with Jonne Hansson, Jane LaFarge Hamill, Otto Mogren, Jack O’Flynn and Lea Sautin).